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On my 30D, I immediately experienced the focus problems, but I knew what to look
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Although not a macro lens, it focuses close enough for head shots and small details (.45m/1.5 ft).There's been discussion on internet forums of back-focusing problems at 1 meter or less between F2 and 4
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Not sure how much more I need to know after successfully using my 85/1.2II and 50/1.4 on 90+ weddings in the last 4 years without any focus problems.
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This lens receives a ton of negative reviews, mostly dealing with focus problems such as back focus or focus shift
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Without re-hashing it, I will mention that I have not had any focusing problems in my use cases
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After using it, i have to say it is not sharp and have some focus problems with the mid point on 5d2however, the photos created by this lens with my 5d2 are truly great.
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This is where the focus problems come in, from what I have seen
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Using any focus point away from the center and I would consistently get a front focus problem
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I spent weeks reading all of the reports about the focus problems with this lens
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: I broke my 50mm f/1.2 finally.
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With the other 50mm primes I've owned, I never got filters for them...seemed overkill on cheaper lenses, but with the amount of moolah you fork over for this f/1.2 bad boy, you'll want to protect that forward element!
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If you are a casual photographer taking pics of your kids, the f/1.4 will do fine
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This is the daddy-o grande of normal primes: exceedingly well made, sharp at all apertures, contrasty and a riot of smooth 'n creamy bokeh
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This is the daddy-o grande of normal primes: exceedingly well made, sharp at all apertures, contrasty and a riot of smooth 'n creamy bokeh
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so I could use my expensive B+W Kaesemann Circular Polarizer with it.
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This is the softest L lens I own.
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Plus I had my much better photographer friends telling me to go with a nice L zoom lens for the flexibile range.
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Sean Reid [...]. rated this as the L lens worth its price tag
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They say that amateur photographers embark on an equipment journey...beginning with cheap starter lenses, then to "L" zooms and eventually all roads lead to the elite prime "L" lenses- the 35mm, the 50mm, 85mm, 135mm, etc,
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I'm in the process of acquiring a full set of fast prime "L" lenses
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It seems to do exactly what it purports to do and then some...it really makes some truly lovely pictures (and yes all that wonderful L color and contrast is there too)
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I had a Sigma 50mm 1.4, two tamron sp 35mm and 85mm 1.8, all made for high megapixel wars, but none, no other lens besides the 85mm 1.2 L lens will give u the rendering, the bokeh, the 3d look, the beautiful L lens colors, transition from bokeh to sharpness, the amount of light u can capture with this lens, its superb
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Chromatic abberation is rather harsh for an L-lens (even harsher than the 1.8 and 1.4 non-L lenses) and the vignetting on a full-frame sensor is kind of disappointing