But, the Woburn sounds good by any standard, if not fantastic.

When there's space in the mix, the Woburn sounds incredible: B. B. King and Nirvana never sounded this good to me before, period.

With that said the Woburn sounds GREAT at all levels (it must be connected to OPTICAL in, otherwise you are missing out

A Winner!Definitely, the Woburn worths every € spent on it

, the Woburn sounded like a vail had been lifted from over the music

The Woburn's advantage over the others I mention is that it can play way louder without sounding compressed or clipping.

Be careful though, although it gets LOUD, it will distort and woofers will bottom out (unlike the Stanmore) if pushed hard (but only at very high volume levels with high bass level).The Stanmore, although great sounding for its size, sounds a bit sterile in comparison to the larger, more expensive Woburn

The Woburn has been thoroughly "broken-in".

I’ll also confess I use a Bose SoundLink III and Color when I need greater portability; however, they are no way near as good as the Stanmore/Woburn

I love the Woburn for what it is: a cool-looking one-box music solution intended to fill large rooms with very loud full-bodied music without sounding strained.

the Woburn is struggling to make sense of all that detail and texture.

if Marshall could make it into a three way system with the addition of midrange just like the Exos-9 and Deep Blue2, of course Woburn is still superior than the two but when you listen to those two you'll understand what I'm talking about

But, the Woburn sounds good by any standard, if not fantastic.

the Woburn is the most powerful of course with big speaker system the sound fills any room.

But the Woburn and Stanmore (the only Marshall speakers currently supporting APTX), Deep Blue 2, and B&W Zeppelin (as well as BeoPlay M5) stand out for input flexibility.

As expected, the Woburn gets much louder and provides significantly more bass; a better choice for larger rooms or outdoor use