Excellent product would recommend them highly.

Overall, it's a top quality product and its price tag is made up by the tone and longevity of the strings.

Actually impressed my teacher at the 92St

Prompt service!!

Excellent quick service from Zorro Sounds

If you invest in these strings I would highly recommend using Fast Fret before

The Pyramids sound good, a bit brighter that the Thomastik's, but I'll be going back to the

I have them on my '52 Reissue Tele for better jazz tone and feel, and they do the job.

The strings do produce good tone but not worth the $21 dollars I paid for them.

The strings do produce good tone but not worth the $21 dollars I paid for them.

These strings have a much warmer tone over the D'Addario flatwound Chromes that I typically use.

I think the tone I'm getting from this set of strings is quite appropriate for my hollow body, f-hole jazz guitar, but I moved to this set after having round wound 12's

Let's face it: these all-nickel flat wounds are for people chasing that classic, fat, round, somewhat dark guitar sound of the traditional jazz box

These strings sound great, especially on semi-hollow body guitars, if you are looking for a good mellow jazz sound.

They work great on semi-hollow body jazz guitars and electric guitars for that great clean sound.

Let's face it: these all-nickel flat wounds are for people chasing that classic, fat, round, somewhat dark guitar sound of the traditional jazz box

these strings work good on my gibson tal farlow jazz guitar.

They work great on semi-hollow body jazz guitars and electric guitars for that great clean sound.

These strings sound great, especially on semi-hollow body guitars, if you are looking for a good mellow jazz sound.

I have them on my '52 Reissue Tele for better jazz tone and feel, and they do the job.

I love the way these feel, but I miss the tiny resistance of the bumps that sing their own song when your finger slides along round-wounds.

I love the way these feel, but I miss the tiny resistance of the bumps that sing their own song when your finger slides along round-wounds.

I've heard of players using flat wounds of a very light gauge like 11 to play other styles (not traditional jazz) on a bright guitar like a tele with a maple fretboard or something, because they enjoy the smooth feel of flat wounds and the way these strings darken the inherent brightness of their instrument

The high B and the high E are somewhat bendable, but the G really isn't very easy to bend, so what's the point of sacrificing all that tone quality just to have lighter strings that you're not going to be able to do a whole lot with in terms of pyrotechnic bendy stuff

Even the wounded G doesn't bother me, it's pretty subtle you almost wouldn't feel it

Even the wounded G doesn't bother me, it's pretty subtle you almost wouldn't feel it

The high B and the high E are somewhat bendable, but the G really isn't very easy to bend, so what's the point of sacrificing all that tone quality just to have lighter strings that you're not going to be able to do a whole lot with in terms of pyrotechnic bendy stuff

The high B and the high E are somewhat bendable, but the G really isn't very easy to bend, so what's the point of sacrificing all that tone quality just to have lighter strings that you're not going to be able to do a whole lot with in terms of pyrotechnic bendy stuff