• Reviews around quality (4.42 of 5)

    Canon EF 50mm f/1.2 L USM Lens for Canon Digital SLR Cameras - Fixed

    • If you're looking at this, then you've probably decided on a 50mm or so prime lens, likely because the kit zoom lens is both slow and not very good quality
    • The quality and build of the lens is superb
    • The soft quality can be produced by deliberately under-correcting one or more lens aberrations."So in a sense, this lens is far from clinically perfect at wide aperture settings (as the MTF chart suggests).
    • Not in "prestine" quality, but very usable
    • , its BOKELICIOUS!It has as good a build quality as you can get from a canon lens other than the white lenses
    • The quality of the images I've taken is fantastic
    • I bought this lense for my business as I want to take top quality pictures for my clients
    • The build quality is outstanding
    • My guess is that the size and weight are a direct result of top quality glass and components; I haven’t found a situation which this lens has struggled at
    • The quality is superior to all other Canon and Nikon lenses in my opinion
    • And, its build quality is good
    • A glowing quality is typical within the swirl of ultra smooth bokeh
    • The 50L has exceptional build quality and is water sealed as long as you use a filter (i recommend the B+W UV Haze
    • Then I borrow my co-workers f1.4, that it was great, much better quality, but still didn't feel right in my hand mated with the 5d3.
    • The other reviewer is correct, it amazes me the quality of the pictures one is able to take in dim or very low light
    • I appreciate its focal length for portrait style photographs and its ability to produce a very strong bokeh, especially the f1.2L. I started with the 50mm f1.8, then purchased and utilized a 50mm 1.4 for several years, and as of around May of 2013 decided to reach out and grab this 50 f1.2L. The build quality is superb, but I mean the lens costs over a thousand dollars, so wouldn't you expect it to be built better
    • Yes, the lens does have a softness to it at f/1.2 (some copies worse than others), but that is what gives this lens a distinctive "dreamy" quality to photos at f/1.2
    • The 50 1.4 lens has fairly poor build quality and a front element that sticks out while focusing which i hate and the 50 1.8 is just straight up crappy build quality.
    • Other professionals have already waxed eloquent on the superb image quality of this lens, and I am in 100% agreement
    • This lens produces superb image quality and is lightweight.
    • Ansel Adam's The Camera immediately reminded me about this lens:"The term portrait lens usually signifies one of moderately long focal length with somewhat soft definition, considered by some photographers to be a desirable quality in portraits.
    • f/1.2 II - Sharper and generally better picture quality than the 50mm f/1.2 at any aperature and one of the very few lenses out there that has better bokeh, if not the best as some might argue.
    • The f1.2 is best in class IMHO and the build quality is excellent
    • I have had no focusing issues with my copy, purchased in August 2009.Overall better image quality than the 1.4
    • Outstanding quality.
    • In harshly backlit environments, the 50/1.2 L delivers vastly superior image quality than the other 50s.- Build quality is top notch - typical of Canon "L" lenses
    • I have very rarely shot someone at 1.2, or even at 1.4, but if you have a very high resolution camera that can get a lot of detail from a person who is far away, then you can shoot at 1.2 and capture the entire body with razor sharp image quality.
    • PROS+ Build quality is amazing
    • That said this is why I own the 1.2.I can attest to the nervous qualities of the 1.4 in low light, it will hunt for quite sometime before attempting to lock
    • And will you be using this lens professionally on a regular basis to exploit its build quality
    • More expensive than the Canon lens, but slightly better image quality wide open
    • It’s a little heavy, a bit bigger than most other 50mm Primes... but photographic quality is absolutely superb
    • It is sort of sharp at f/1.2, but it is not as sharp as it is at 2.8
    • The 50 f/1.4 then takes over in sharpness at around f/2.2 to f/2.8.The 50L 1.2 will never be as sharp as my 85L 1.2 II.
    • This is the softest L lens I own.
    • Plus I had my much better photographer friends telling me to go with a nice L zoom lens for the flexibile range.
    • Sean Reid [...]. rated this as the L lens worth its price tag
    • They say that amateur photographers embark on an equipment journey...beginning with cheap starter lenses, then to "L" zooms and eventually all roads lead to the elite prime "L" lenses- the 35mm, the 50mm, 85mm, 135mm, etc,
    • I'm in the process of acquiring a full set of fast prime "L" lenses
    • It seems to do exactly what it purports to do and then some...it really makes some truly lovely pictures (and yes all that wonderful L color and contrast is there too)
    • I had a Sigma 50mm 1.4, two tamron sp 35mm and 85mm 1.8, all made for high megapixel wars, but none, no other lens besides the 85mm 1.2 L lens will give u the rendering, the bokeh, the 3d look, the beautiful L lens colors, transition from bokeh to sharpness, the amount of light u can capture with this lens, its superb
    • Chromatic abberation is rather harsh for an L-lens (even harsher than the 1.8 and 1.4 non-L lenses) and the vignetting on a full-frame sensor is kind of disappointing