The only problem I had was broken sprocket holes in the first 3 or 4 frames of the reel, but after that it went through the reel none stop

I've run about 15 large edited-together reels, about 10 hours of film through it, both super 8 but mostly standard 8, and have had no problem, two times old worn elongated sprocket holes had it stop in place, but the cool LED lamp for small distance/conversion doesn't burn film like an old projector, so I simply had to move the film a bit and continue, you can run cut pieces through it, doesn't have to be tensioned as perfectly as a real-time projector

That said, as long as the film doesn't hang up on a bad splice or multiple broken sprocket holes that needs to be manually advanced past it can be left virtually alone to do its thing.- Don't expect to transfer an old movie using only the machine and having a watchable video afterwards

Second, if there is any flaw in the film such as a bad splice or sprocket holes, then it simply stops transporting the film through the guide.

The problem is that the mechanism to pull film through the scanner using the smaller sprocket holes is very unforgiving (but, as stated, no problem with larger 8mm holes

The film's sprocket holes were ripped and/or stretched from years of play and abuse in a variety of old projectors

Quality was better than I expected considering most of the reels were made in the 60’s and early 70’s.

The medium sized wheel can hold small super 8’s no

With all the choices for LED’s, Wolverine could have chosen an LED with a more natural, warmer color.

y muchos otros ajustes y la máquina solo te marca error, pero no te dice cuál