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It's easy to put on and holds the strings well
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Easy to useDurableCons:priceIt's expensive, but it is easily the best capo on the market that I've seen--unless you need a capo that can isolate specific/individual strings (too advanced for me).
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It does not stretch my strings or scratch my fretboard at all
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I can see why: the way it's designed it actually can't really pull tension on the low side - the mechanism favors the higher strings
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It easily attaches and detaches from the guitar arm and suppresses the strings firmly so the strings play clearly
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what i really like is that the padded material is very forgiving and holds the strings without any fret buzz and never damages my guitars.
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I do not break strings while playing but I could not get this capo to hold the strings on my acoustic guitar.
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The variable pressure basically assures it goes on without bending your strings too hard and forcing them out of tune: a common problem I have with standard spring clamp style capos, especially on higher frets.
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One needs to pinch it snugly on the 1st string (non clutch) side to secure it properly
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I felt that based on the design it had to be set to provide enough leverage to properly depress the bass strings
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My 12 string shubb works on my baritone, and 6 string with no problem at all
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This capo gives me clean, rattle free key changes without clamping so tightly that the strings go sharp.
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* pulls my down-tuned GS Mini out of tune less than other capos, and should work better once I find the right strings for this tuningCons
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Conclusion:If you are just a casual player that doesn't need the functionality of this capo, then you might want to hold your cash and buy a cheap capo and some strings or something
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Reliable, adequate string pressure.
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What I really like about it is how unobtrusive it is and how solid it presses the strings without bending them.
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I was quite impressed with both the ease of using it and how it didn't muddy the strings nor pull them out of tune
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It doesn't pull my strings out of tune and it works extremely well on both my American Special Strat and my G-series Takamine
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Another bonus, I have a 12 string
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This would not properly fret the strings of my Taylor acoustic.
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The Kaiser strangled all of them, requiring pretty extensive retuning at both points - that is, putting it on (pulled strings sharp) and taking it off (left 'em flat, obviously)
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What I had not considered, until my friend mentioned it, is that while my new strings provide the tonal warmth I was looking for, they are also easier to "bend out of tune"
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n’t go sharp