• Reviews around amp (4.09 of 5)

    JOYO D-Seed Bundle Acoustic Guitar Nut

    • I have other pedals (and a good amp) for that
    • Before I had a good tube amp this is what I depended on
    • The Super Champ is a great little amp, but it lacks a mid-range e.q. knob
    • This is great wisdom to the players that pair this (or an OCD) with a fendery clean amp, or any old amp with a good clean sound
    • long enough to tell it was great and made the Squier Strat/Solid State amp demo rig sound totally happening
    • I don't know what this would sound like in front of a solid-state amp -- probably still pretty good -- but if you already have a tube amp, buy this box
    • It also seems to have a good drive sound on a clean amp.
    • I suspect any good tube amp will get along well with this pedal
    • I've plugged the Oxford into my portable PA/keyboard amp with the sim engaged like you're "supposed" to, and I couldn't dial in a sound that sounded good or interesting at all.
    • my setup is pedal ---> digitech RP unit with a fender clean amp sim, EQ, headphone output ---> 4x12 cab
    • It gives your inexpensive tube amp that Marshall crunch.
    • In fact, I'm surprised that an overdrive pedal - one that sounds pretty "overdrivey" when the amp is clean - has the capability of taking me into metal territory
    • No Brutalzzz - there are better pedals to cop the scooped 5150 or triple rectofier kachunky palm muting downtuned type thing, but you can get close with the right amp EQ and this thing dimed.
    • Bump the volume on the pedal up a little if you want a volume boost for leads but make sure to compensate with the clean channel amp volume
    • A great backup if your amp quits on you as well.
    • My only categorical criticism is, what are you doing playing with a solid state amp?
    • You will be happy with this pedal if your looking to boost your amp a little or a lot
    • It pushes his amp quite well.
    • Really made my amp sound more like a Marshall
    • These can go from a full blown cranked amp to warm clean amp that breaks up with an overdrive pedal in front of it.
    • So I got this because I didn't own a good amp and wanted a decent sound coming through the
    • It seems to do nothing as an effect and draws power reducing the volume on your instrument as well as the amp.
    • However, the Valve Standard has a reputation for being "bassy," and mine was no exception; even when I raised it up off the floor the sound was way too low; elevating the amp had helped some but not enough
    • I have an American Strat and Fender solid state amp
    • BUT it emulates an amp so well it even gives you the hiss at high gain
    • I had been looking at this pedal for awhile as a cheap solution to try improving the sounds that come out of my cheap Behringer solid state amp
    • It's hard to believe I can get such great amp tone out of this device, especially considering how affordable it is.
    • If you have a good amp and a good sound you'll want the JOYO because of
    • Into a mostly clean amp, I have the gain set to roughly 10 o'clock, and I have enough gain to play Van Halen and the like
    • Just throw it in line between my guitar and my very mundane amp and suddenly the world turns metal.
    • The Champion 40 is actually an already exceptional amp with serious improvements compared to past SS amps, but still without tube quality when you crank it.
    • This pedal has a nice warm sound when played through a clean amp
    • I had been looking at this pedal for awhile as a cheap solution to try improving the sounds that come out of my cheap Behringer solid state amp
    • I don't think this would be useful for solid state amps though.
    • I play slide, classic rock, blues, roots styles, and mostly use no pedals--just straight into a good cranked amp, for my tone.
    • This sounds a lot like a classic tube amp being overdriven.
    • The amp also sounded brash to me, the opposite of the Bassman
    • a good solid state amp (80's Yamaha usa-made combo) sound great and full of nice warm tones
    • You kind of have to experiment with the five control knobs until you get the sound that you want, which I can basically do with my Marshall amp, or any decent amp
    • Of course doesnt sound like a expensive amp, but sounds better then some amps that are a lot expensive than this pedal.
    • The bad; the treble control sounds as if it is stuck on full even at off (it is not, this is a working model); meaning when one goes from "bedroom volume" and crank it up on a stageable amp it is entirely unlistenable, wincingly painful in fact
    • Don't bother buying it if you have a good tube amp already. :-)
    • However, the Valve Standard has a reputation for being "bassy," and mine was no exception; even when I raised it up off the floor the sound was way too low; elevating the amp had helped some but not enough
    • I run this in front of an already distorted amp and get tons of creamy buttery goodness with gobs of sustain
    • This pedal makes for a great little "amp" for studio recording
    • Whether you use it more as a boost or use it as a stand alone overdrive into a clean amp, it works quite well
    • Turning any knob has a major impact on the tones - it can serve up anything from chimey clean to tube amp on the verge of break-up to warp overdrive, with a powerful EQ to go along with it
    • Can't compare it to the real thing -- through a solid state amp, maybe a little hissy and thin at times
    • I cannot overemphasize that this is an overdrive meant to work with a good tube amp to produce more of the classic roar of a cranked Marshall, but not really to go into metal territory (love the MT-2 for that though!).
    • It has a lot more high end available and can turn the muddiest amp into a tight mid-range heavy metal monster
    • The Bad Monkey is good with solid state amps and the Maxon is nothing short of a let down
    • It makes both my solid state and tube amp scream with pretty equal results on both
    • This thing is great if you want to produce a good amp sound through a recording console or a PA without having to crank an amp to eleven.
    • I like it best into a clean amp
    • you feel like you're playing a good tube amp cranked up
    • Gives great overdriven tube amp sound / versatile for 95% of music - not for bone-crushing metal
    • I have a Marshall MG15CFX solid state amp
    • Of course, you can't realistically compare the sound you get out of this pedal to a genuine Vox amp, but you'll definitely get something in that ballpark (to use an American term haha).Very useful tool with versatile tones and responsive controls
    • , the volume drops on all of them, I've confirmed this, mine is not broke, you have to crank the volume to reach unity w amp, the American I own doesn't have this problem, and its horrible sounding at stage levels, get the American instead
    • I'll disagree with those that imply you need to pair it with a good tube amp - you'll get good crunch in front of a solid state amp, or even when recorded direct in
    • The Super Champ is a great little amp, but it lacks a mid-range e.q. knob
    • The Super Champ is a great little amp, but it lacks a mid-range e.q. knob
    • I was able to dial in a pleasing sound for the first time with this great amp
    • Hook it up directly to your soundcard to record and get an amazing mic'd amp tone
    • I've played it through a Blackstar solid state amp, and it sounds good.
    • This is a great marshal amp simulator
    • I bought this with the idea I was getting a pedal that would give me usable Marshall amp sounds
    • Below that it's adding noise of a different character than my amps gain channel, but no more or worse noise
    • The pedal has and awesome cranked amp sustain, tone and response
    • Not a bad amp sim for the price
    • Sounds great to give a clean amp a little bit of dirt (using a strat with the neck pickup on a clean tube amp gives a very nice SRV-type tone) or for driving an already crunchy amp further
    • If you want it as a distortion pedal it is great, but as a way to go direct into a PA it is an incredible solution if you don't want to haul an amp or struggle with your amp being too loud for your venue.
    • Before you go out and spend $$$$ on a boutique tube amp, put the Ultimate drive in front of that old reliable solid state amp you've got tucked away in the back corner
    • I play a 97 les Paul through a fender mustang amp ( a cheap digitalized practice amp) and can't believe the tone and sustain I'm getting
    • One of my most used pedals, great for over driving a clean tone amp.
    • This pedal really is a great amp simulator.
    • Used at the very end of your pedal chain along with a PA, you've got yourself a nice amp with a lot of options.
    • If you can play and have a decent amp - you can get a variety of great sounds out of this little box
    • I don't think this sounds all that good in front of an amp, unless you are playing a very clean amp, but it probably was not designed for it anyway
    • if you only have a clean amp and want a distortion sound it is good
    • Of course, an actual amp is better, but in a tough situation or for practice, this pedal is great
    • Its responsive to your picking attack, its distortion is very very harmonically rich, and it does give you a Marshall type sound, good boost in the mids and bass, giving your tone the sonic density that those amps are famous for
    • keeping a decent bedroom/apartment level is no problem with a nice amp on its nicest clean setting and the JF-02's level on no more than 3-ish
    • This pedal brought my solid state Carvin amp to life!
    • Not sure how it will sound as a standalone gain tool for a solid state amp, but it certainly does an excellent job of driving tubes
    • This is a nice little amp that I picked up several years back, and I see that it is becoming rather rare now
    • Even with that, it kills so much of my amp volume that I have to crank my amp way louder than necessary to compensate
    • Sounds great through a clean Fender tube amp
    • That doesn't mean that if you use this pedal in tandem with a solid state amp and a telecaster and you don't sound like Jimi
    • I put it in the effects loop of my Fender Studio Lead (50 watt, solid state) amp on the clean channel, and I can dial in the Vox AC-30 coolness, the hollow mids and that distinctive crunchy gain sound
    • I recently bought Fender's Champion 40 for a small travel amp as well as for its cheaper price.
    • At first I was confused as to why it sounded horrible but got such great reviews
    • Not the end all pedals like some claim but they all work as they are supposed to.
    • Apparently it didn't blow me away so much as to get a replacement though.
    • I get this effect with both my Marshall tube amp as well as with a rack mounted preamp
    • works as it should.