Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Can... - 2024 report by Whydis
Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras
Product description
A superb refinement to a true Canon classic, the new TS-E 24mm f/3.5L II offers enhanced functionality and image quality in its most popular tilt-shift focal length. Designed with UD glass to minimize and compensate for chromatic ...
The optics are as good as any review you have read - it may be the best lens Canon ever produced.
I have used the best canon, Nikon, and zeiss wide angles and this lens is hands down the best resolving, distortionless wide angle lens I have ever used.
This is the sharpest lens canon makes, at any focal length, so far.
You are reading snippets from reviews of Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras
So far, it has taught me a lot by forcing me to go back to apply basic photographic skills in order to get good shots
Got so many cool shots with it
Otherwise a great lens for easy panoramas and large-pixel frames, for fixing skew in architecture shots, for fully focused landscape shots with in-focus foreground, for changing depth of field orientation in artistic shots, and of course the miniature shots (if that's your thing).
You are reading snippets from reviews of Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras
The optics are as good as any review you have read - it may be the best lens Canon ever produced.
It helped to spend some time refreshing my memory about how to use tilts and shifts but aside from that, there was nothing mysterious about this lens other than the magical quality it possesses for producing sharp, colorful images that can be free of converging lines or offer incredible field of focus control
You are reading snippets from reviews of Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras
It helped to spend some time refreshing my memory about how to use tilts and shifts but aside from that, there was nothing mysterious about this lens other than the magical quality it possesses for producing sharp, colorful images that can be free of converging lines or offer incredible field of focus control
It's indispensable because the shift ability retains image quality fidelity where you would normally have to distort the image in editing software, and for high paying clients on enlargement sized prints, that is unacceptable
Functions superbly, lay-people who have seen images of buildings sans converging verticals, can't quite figure out why there's a difference but they all appreciate the images
After years of missing large format cameras with their swings and tilts, and of course their wonderful large film size that together produce incredible images, I think I have found something that will lessen my longing
The lens overall is very sharp and provides an excellent image quality
Usual L quality - beefy, precise, and consistent behavior for all controls!Not a bargain
It helped to spend some time refreshing my memory about how to use tilts and shifts but aside from that, there was nothing mysterious about this lens other than the magical quality it possesses for producing sharp, colorful images that can be free of converging lines or offer incredible field of focus control
The lens overall is very sharp and provides an excellent image quality
I'll leave the specifications and amazing optical quality to the other reviewers.
Usual L quality - beefy, precise, and consistent behavior for all controls!Not a bargain
More about Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras
Product description
A superb refinement to a true Canon classic, the new TS-E 24mm f/3.5L II offers enhanced functionality and image quality in its most popular tilt-shift focal length
Designed with UD glass to minimize and compensate for chromatic aberrations and specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens features an angle of view of 74 degrees
New TS revolving lets users freely combine tilting and shifting within the range of +/- 90 degrees in the direction of movement
It has an enhanced range of movement of up to +/- 8.5 degrees, a revolving construction for both portrait and landscape shooting modes, locking, ergonomically designed and easily operated tilt and shift knobs, uses a circular aperture for beautiful out-of-focus areas, and is constructed using only lead-free glass and has an SWC lens coating that controls ghosting and flare to a far greater degree than earlier coating technologies.
From the Manufacturer
From the Manufacturer A superb refinement to a true Canon classic, the new TS-E 24mm f/3.5L II offers enhanced functionality and image quality in its most popular tilt-shift focal length
Designed with UD glass to minimize and compensate for chromatic aberrations and specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens features an angle of view of 74 degrees
New TS revolving lets users freely combine tilting and shifting within the range of +/- 90 degrees in the direction of movement
It has an enhanced range of movement of up to +/- 8.5 degrees, a revolving construction for both portrait and landscape shooting modes, locking, ergonomically designed and easily operated tilt and shift knobs, uses a circular aperture for beautiful out-of-focus areas, and is constructed using only lead-free glass and has an SWC lens coating that controls ghosting and flare to a far greater degree than earlier coating technologies
Tilt and shift lens compatible with all Canon EOS cameras Ultra Wide 24mm focal length, ideal for architecture and landscapes High precision lens elements for low distortion and high resolution to the edge of the image +/- 8.5 degrees Tilt and ±12mm Shift Tilt and shift mechanism rotates +/-90 degrees allowing shift in any direction Tilt mechanism rotates +/-90 degrees allowing tilt in any direction relative to the shift Aspherical and UD lens elements minimise chromatic aberration Sub-wavelength structure and super-spectra coatings minimise ghosting and flare Circular aperture for creative, blurred highlights MTF Chart
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